Cristina Materassi (b. 1997) is an artist, museum educator and art history teacher based in Turin. She is co-founder of the project Corrispondenze (2021–ongoing, with Boscaini and Materassi).
Her research moves along the threshold between visual and verbal narrative. Through site-specific interventions, drawing and counter-mapping, micro-publications, experimental forms of archiving and the use of language as a working material, she brings to light the tensions present in the spaces she moves through, understanding them as opportunities to rethink the places themselves and the structures that govern them.
Her practice is rooted in educational work and social and cultural design, and unfolds along a processual, participatory and relational dimension.
Interested in the politics of the urban fabric, its fractures and its modes of representation, she views artistic production both as a testimony to temporary experiences and, at the same time, as a tool for shifting and reassigning meaning to everyday language.
In a world shaped by the functionalization of space and organized according to logics of separation, artistic research — freed from the logics of productivity — can rethink the canons of reality, reintegrate practices of play, and give value to temporality, mobility, irony and imagination.
cristina.materassi@ikmail.com
cristina@corrispondenze.com
IG
@cristina.materassi
Participated Project
participation-based artistic editorial project
>> Project texts, CV, statement and portfolio available in Italian and Spanish upon request via email
CRISTINA MATERASSI
an archive, not a showcase!
Corrispondenze is a collaborative artistic and editorial project founded by Paola Boscaini and Cristina Materassi in 2021. Its research focuses on the notion of dwelling as an evolving relational practice, investigating inhabited space as a dynamic territory shaped by memories, conflicts, imaginaries, and possibilities.
The project unfolds through tools of collective gathering, reworking, and rewriting: maps, archives, publications, public space activations, and digital environments function as platforms for listening and shared storytelling. These practices move between textual and visual languages, between gesture and narrative, between presence and trace, aiming to bring forth open and plural forms of spatial representation.
Corrispondenze positions itself as a mobile and accessible platform capable of activating collective knowledge processes and generating sensitive, porous, and constantly evolving archives. At its core lies the idea that dwelling is not a static condition, but a process interweaving relationships, tensions, and desires — one that can be observed, deconstructed, and rewritten through participatory artistic practices.
Since 2022, the project has expanded through a collaborative editorial production involving artists, researchers, and students in the construction of a living archive of practices and reflections on inhabited space. Each publication represents a fragment of this process — a narrative threshold from which new possibilities for storytelling and connection may emerge.
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